![]() If that doesn't work, the last resort could be a merger or even total absorption into another museum, possibly LACMA, bringing back unhappy memories of the once celebrated Pasadena Art Museum which fell onto hard times and was 'saved,' or as many people would say, swallowed, by Norton Simon. Additional information came to light in reference to various scenarios that museum trustees have been discussing behind closed doors, including partnership with other Los Angeles cultural institutions. With museum officials refusing to speak publicly and with the financial report about the 2008 fiscal year not due out until next summer, such a frightening possibility is starting to gain traction. There is speculation that the museum is already operating in the red. Instead of stepping up to the plate and getting out their checkbooks, the trustees -– against all rules and regulations -– repeatedly authorized the use of the museum's endowment funds to pay for its day-to-day operations. In it, he blamed the board for being complacent in allowing the museum endowment to shrink from $50 million ten years ago to about $7 million now. The next day, the paper published an angry, accusatory letter by its chief art critic, Christopher Knight, addressed to MOCA's Board of Trustees. First, the Los Angeles Times reported about MOCA's financial meltdown and the desperate measures the museum is considering to avoid going belly up. So, maybe these rumors were unsubstantiated after all, in the last few years the museum, instead of cutting its staff, actually expanded it.Ī week ago, all hell broke loose. Ambitious exhibitions were accompanied by thick, scholarly catalogues, well designed and obviously expensively produced. ![]() The museum continued to mount exhibitions in all three of its facilities –- two large spaces downtown and a smaller one at the Pacific Design Center in West Hollywood. One change he’s considering is reducing admission fees.Rumors about the financial difficulties at LA's Museum of Contemporary Art have been circulating for a few years, but the institution, much admired for its cutting edge exhibition program, has maintained a brave face. He brought in a new chief curator in August, but it will take time to restore the museum to its former prominence. Known for his collaborative and artist-oriented style, he has said MOCA has to be the most innovative museum in the country. MOCA endured six rocky years of financial problems and increasingly sparse programming before new director Philippe Vergne was lured away from New York’s Dia Art Foundation in early 2014. San Vicente, West Hollywood) is an earth-toned cube next to the design center that focuses on contemporary architecture and design. MOCA Pacific Design Center (8687 Melrose Ave. With the easiest parking of the three, it’s a good place to start. Temple Metro Gold Line to Little Tokyo/Arts District) shows the museum’s most interesting rotating exhibitions-it held the largest show of Mark Kelley’s work to date in 2014. The warehouse-like Geffen Contemporary at MOCA in Little Tokyo (152 N. It also houses the museum’s popular restaurant, Lemonade (open during museum hours tel. Thad Kosciuszko Way Metro Red Line to Pershing Square.), the main venue, opened “Andy Warhol: Shadows,” the first West Coast showing of all 102 parts of the monumental painting, in September 2014. The imposing red sandstone MOCA Grand Avenue (250 S. Its 6,800-piece collection-one of the best in the country, including numerous Rothkos, Pollack’s first drip painting, Johns, and dozens of other 20th century artists, as well as challenging work by emerging artists-is spread among three locations. Known for its provocative, ambitious, and sometimes difficult exhibits, MOCA is L.A.’s only museum focusing solely on art from 1940 to the present.
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